| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| MORKHAM, Bronwyn E. | Ph.D. | 2001 | Through the Mind’s Eye: Re-Thinking Cinema and Subjectivity. | Cinema - - Spectatorship | One | Dr. Angela Ndalianis |
| PIERCY, Rebecca | BA Hons.(cinema) | 1996 | “It’s easy for a girl to kill a lot of people...There’s no reason why soft breasts and thighs should keep her from killing everybody.” The projection of the ‘femme fatale’ in the French Nouvelle Vague. | Cinema -- France --New Wave Film Noir -- Femme Fatale | One | Dr. Mark Nicholls |
| MATTHEWS, Rebecca | BA Hons.(cinema) | 1996 | Flaunting feminine excess: Feminist camp and Muriel’s Wedding. | Cinema -- Australia - -Muriel’s Wedding Feminism | One | Shirley Law |
| NIEUWENHUYSEN, Anna | Post.Grad.Diploma | 1996 | Artist’s studios in Late Nineteenth Century Britain and Australia | Artists -- Studios | two | Dr. Alison Inglis and Dr. Ann Galbally |
| BROWN, Fiona | BA Hons. | 2002 | Myth and mystery: Parmigianino’s Huntsman, a drawing in the National Gallery of Victoria. | Italian- - drawings Italian renaissace Parmigianino | one | Assoc. Prof. David Marshall |
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