| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| COLEMAN, Lindsay | BA Hons. | 2003 | Almodovarian Gangster: Referentiality, Bakhtinian Parody and Jamesonian Pastiche in the Cinema of Pedro Almodovar and David Chase’s The Sopranos | Cinema | 1 | Dr. Mark Nicholls |
| ELLEM, Alexandra | Post.Grad.Diploma | 2003 | Preventive conservation: making visible an invisible discipline and history | Art History | 2 | Dr. Paul Paffen |
| RUDKIN, Eliza | Post.Grad.Diploma | 2003 | Possibly architecture: architectural representation in use by contemporary artists | Art History | 2 | Assoc. Prof David Marshall |
| MCCULLOCH, Kate | BA Hons. | 2003 | Photographs of war, revolution and terrorism: frozen in time, thawed by exposure | Art History | 2 | Daniel Palmer |
| VERDUCI, Josephine | Post.Grad.Diploma | 2003 | Weapons of exclusion: costume & ideology in the late Assyrian period | Classic & Archaeology | 2 | Assoc. Prof A. Sagona & Prof. F. Sear |
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