| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| VERHOEVEN, Deb | Ph.D. (cinema) | 2004 | Wool blend: Sheep, films and the Australian social fabric | cinema | one | Barbara Creed |
| MONRO, Anna | MA (Art Curatorship) | 2004 | Art of Hanging: The NGVA and contemporary displays of permanent collections | Art History | one | Christopher Marshall |
| CLARKE, Julie | Ph.D. | 2004 | Paradox of the posthuman in science fiction/techno-horror films and visual media | Cinema - - Science fiction; horror - - Posthuman Technology - - Cybernetics - - Biomedical technologies | one | Creed, Barbara |
| MACHIN-ROBERTS, Meri Llawen | MA | 2004 | Dramatic Publicity. Portraiture as creative collaboration: Sarah Bernhardt, Nellie Melba and Bertram Mackennal. | Bernhardt, Sarah (1844 -1923) Melba, Nellie (1861-1931) Mackennal, Bertram (1863-1931) - Sculpture, Australia | one | Inglis, Alison |
| TODAKA, Naoko | MA | 2005 | Tradition and Modernity: The Portraits by Watanabe Kazan (1793-1841) | Wantanabe, Kazan - - Painting, Japan - -edo period 1600-1868 | one | Hickey, Gary |
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