| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| O’HALLORAN, Kate | Post.Grad.Diploma | 2008 | Interpellative subject of performance: Approaching subversion from the D.I.Y 70s to self-reflexive now, The | Cinema | 1 vol; 1 CD | Felicity Colman |
| WILSON, Fiona | BA Hons. | 2008 | “The sublime owes its life to the commonplace.” The impact of photography of the early avant-garde | Art History | 1 | Alison Inglis and Susan Lowish |
| HANSEN, Justine | BA Hons. | 2008 | Fascist dissent and the dialectic of Christianity and Marxism in the work of Renato Guttuso, Aligi Sassu and Giacomo Manzu | Art History | 1 | Anthony White |
| BENNETT, Alice | BA Hons. | 2008 | Curating aboriginal art: the politics of representation | Art History | 1 | Susan Lowish |
| TURNBULL, Lachlan | BA Hons. | 2008 | Narrative of devotion: The Man of Sorrows and its transformations, The | Art History | 2 | Felicity Harley-McGowan |
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