| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| SHARKEY, Michael | Post.Grad.Diploma (Creative Arts) | 2007 | ‘Laughter contains something revolutionary.’ Satire in the Australian performing Arts | Creative Arts | 1 | |
| ROBERTS, Eliza | MA (Art Curatorship) | 2008 | Legacy of ‘The Field’ : The National Gallery of Victoria’s commitment to contemporary Australian art 1968 - 2002, The | Art History | two (Vol I is missing 26 / 2 /09) | Christopher Marshall |
| SCARICA, Elisa | Post.Grad.Diploma | 2008 | “Daughter” as the force of change for the future of Italian and Italian-Australian society, and how this is facilitated by the Father-Daughter Relationship within the structure of the Italian family, The | Cinema Studies | one | Mark Nicholls |
| CRISCI-RICHARDSON, Roberta | Ph.D. | 2008 | Mapping Degas. Real spaces, symbolic spaces and invented spaces in the life and works of Edgar Degas (1834 - 1917) | Art History | one | Anthony White |
| HASLAM, Christine Eleanor | BA Hons. | 2008 | Marginal Sculpture in Romanesque Aquitaine: Interpreting corbel images at the church of Saint-Pierre, Aulnay-de-Saintonge, Frane | Art History | one | Felicity Harley-McGowan |
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