| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| TRAFICANTE, Christopher Rocco | BA Hons. | 2009 | Rage, recklessness, release: A critical reflection on vigilante films | Cinema Studies | 1 | Wendy Haslem and Mark Nicholls |
| HOEY, Sheena | BA Hons. | 2009 | Home is where the heart is? Dysfunctional families in Australian cinema | Cinema Studies | 1 | Mark Nicholls |
| NIKAKIS, Chrysanthe Simpson | MA Prelim. (Cinema Management) | 2009 | David Lynch’s use of dream imagery to create non-linear narratives in the films: Blue Velvet, Lost Highway,Mulholland Drive and Inland Empire. | Cinema Studies | 1 | Wendy Haslem |
| DOUGLAS, James Robert | BA Hons. | 2009 | Pagan Art: Metaphysics and film form, The | Cinema Studies | 1 | Alex Ling |
| EDWARDS, Rebecca Laura | BA Hons. | 2009 | A slumbering giant: Clarkson Stanfield’s Mount Saint Michael, Cornwall. | Art History | 2 | Alison Inglis |
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