| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| ALLEN, Zoe | BA Hons. | 2012 | Dickens, Doyle and the Detective Hero: The Influence of the Metropolitan Police and Victorian Policing Techniques over Nineteenth-Century Popular Crime Fiction. | English Literary Studies | 1 Vol. | Grace Moore |
| EDWARDS, Christopher | BA Hons. | 2012 | “Wild American Sledge Hammer Ballet”: Neal Cassady as archetype of the “literary” author in Jack Kerouac’s On the Road, Allen Ginsberg’s Howl, and Tom Wolfe’s The Electric Kool-Aid Acid Test. | English Literary Studies | 1 Vol. | Dr Anne Maxwell |
| ARTHURSON, Scott | BA Hons. | 2012 | Self-Portrait in an Empty Mirror: The Cartesian Subject’s Android Double. | English Literary Studies | 1 Vol. | Dr Hugh McNaughton |
| BROWN, Lilly | BA Hons. | 2012 | “Race” matters in context: Silence, empowerment and racial literacy in Australia from the “Other” perspective. | Australian Indigenous Studies | 1 Vol. | Philip Morrissey |
| BIRD, Nathan | BA Hons. | 2013 | Identity: An Indigenous Australian perspective. Inspired by the “Aboriginal activist”, Richard Bell. | Australian Indigenous Studies | 1 Vol. | Dr Odette Kelada |
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