| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| BOND, Katherine | MA (Art Curatorship) | 2017 | Performing in plumb lines: Choreographic thinking and ludic engagement in William Forsythe’s Nowhere and Everywhere at the Same Time, No. 2 | Art Curatorship | 1 Vol. | Dr Peter Hill |
| DANEZIGER, Rachel Noam | MA (Art Curatorship) | 2017 | Practising contemporary feminist methodologies in curatorships: Curatorship in and curating out | Art Curatorship | 1 Vol. | Kate Macneill |
| RICHARDS, Kate | MA (Art Curatorship) | 2017 | Curating Feelings: Emotion-Themed Exhibitions in the Public Art Gallery | Art Curatorship | 1 Vol. | Anthony White |
| MORICE, Joanne | MA (Art Curatorship) | 2017 | Making the Immaterial Material: The Embriachi Workshop,Ivory and Mass Production in the Gothic Age | Art Curatorship | 2 Vol. | Prof Anne Dunlop |
| CORNISH, Charlotte | MA (Art Curatorship) | 2015 | Context informs content: An enquiry into avant-garde theory and institutional critique through the lens of Piero Manzoni and Maurizio Cattelan | Art Curatorship | 1 Vol. | Anthony White |
First Page Previous Page Next Page Last Page Page 444 / 455