| Author Name | Qualification | Year | Title | Subject | Volumes | Supervisor |
|---|---|---|---|---|---|---|
| MAHONEY, Catherine | BA Hons. | 2018 | Trecento Knitting Madonna: Materiality, making and motherhood | Art History | one | Anne Dunlop |
| SCAMBARY, Anne | MA Prelim. | 2018 | Gryphon Gallery: A unique gallery model in a period of significant change in Australian art and tertiary art and craft education. How did the Gryphon contribute? Did it lead, or did it follow | Art History | two | Callum Reid |
| LYNCH, Catherine | BA Hons. | 2018 | Shared spaces: exploring the co-exhibition of indigenous and non-indigenous Australian art at the Queensland Art Gallery, 1900-2017 | Art History | one | Ian McLean |
| TEUBEN, Alexandra | BA Hons. | 2018 | Margaets Preston’s monotypes: National art and an artist’s legacy | Art History | one | Ian McLean |
| BUGG, Elyssia | BA Hons. | 2018 | All and Nothing: Povera and performance in the durational works of Giovanni Anselmo and Gilberto Zorio | Art History | one and digital file |
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